The Catalogue Perpétuel (Eternal Catalog) is a biannual publication whose first issue has been presented on the occasion of L’Almanach 18 in June 2018. It documents Le Consortium’s exhibitions at home and abroad as well as the concerts of Consortium Music, Les presses du réel’s publications and Anna Sanders Films’s recent productions.
It also provides an opportunity to revisit Le Consortium’s archive from the last forty years.
Issue nº1, June 2018, 200-page in French and English, 22 x 28 cm – 10 €
The second issue of Consortium Museum's Catalogue Perpétuel (Eternal Catalog) documents the recent L'Almanach 18 exhibition as well as the two previous chapters of this biennial exhibition.
The third issue of Consortium Museum's Catalogue Perpétuel (Eternal Catalog) documents concerts, project and exhibitions that took place between October 2017 and May 2018 (Has Been - Peter Schuyff, Tobias Pills, Michael Williams, Hymne à la joie - Nicolas Ceccaldi, It's Only You - Marina Faust
Réalité Jetable (Détails) - Wang Du, The Ripple Effect - Jay DeFeo, Tout ce que le ciel permet - Rebecca Warren, Southern Garden of the Château Bellevue - Matthew Lutz-Kinoy et My colorful life - Pierre Keller...).
The fourth issue of the Catalogue Perpétuel documents the exhibitions, projects and concerts at the Consortium Museum from March 2020 to April 2021. It reviews exhibitions by Valentin Carron, Sean Landers, Adam Pendleton, Louise Sartor, New York: The Eighties, Sarah Lucas, Shara Hughes, Paloma Varga Weisz, Claude Rutault, and several Consortium Museum concerts.